Friday, 25 July 2008

Batman and the Odinic Archetype


















Saw the new Batman - The Dark Knight yesterday. What a great film.

The Heath Ledger creation of The Joker is superb.

As I watched the film I was reminded of the book The Werewolf Complex by Denis Duclos as the Joker captures the essence of the darkness of the Odinic archetype.

The Joker has no identity, no background - he just appears, the same as the archetype of the dark side of Odinism.

Just like Odin the Joker is an agent of chaos, a force unleashed to destroy a sick society and to make way for a new order.

Until he appears in Gotham City the Joker does not exist - just like an individual 'possessed' by an archetype one minute they are 'normal' (eg repressed, sick and degenerate) the next they become a force for an ancient archetype that was once worshipped by our people.

The Joker exists above good and evil, he is simply an instrument of destruction. He does not seek to create anything from the chaos he unleashes, his role is simply to unleash chaos.

This is the same as the role of the Berserkers on the battlefield, their role was to unleash chaos and war, to kill and conquer.

The Joker in the film admits he has 'no plan' and that is another example of the archetype of Odin, in that because the archetype is unconscious it is beyond the conscious understanding of the conscious mind - it serves the life force and is therefore a consciousness millions of years old and its intent is beyond any understanding of the human ego.

Its plan is the plan of aeons, beyond the simple lifespan of an individual human being.

Heath Ledger by unlocking this arhcetype unleashed a darkness within himself he was unable to control.

In order to control the archetype he needed to understand the 'Sun' side of the archetype, that of the Odinic veneration of nature and the love for folk, family, the forests and the fields. The shadow of Odin is just one aspect of his divine nature, for the other aspect is personified by the wandervogel movement of the early 1930's and the Hippie movement of the 1960's established by the scions of the German wandervogel movement in California after the war.

Heath needed to purge himself of the shadow of the Joker, but he did not know how to do that.

Heath never knew he was channeling an archetype, and therefore he was swept away by it.

He needed to get into the countryside, camping and just commune with nature.

The Joker in mythic terms is the same as the Fool, the Trickster, Loki and the other 'insane divine fools' of the mythic past from Merlin to the Fool in English folk festivals. There is even a scene where the Joker wears a dress, a classic reference to the cross dressing shaman of the tribes, the berdache of Native American tradition and the shapeshifter, and a direct link to the fool of English folk tradition who wears a dress and carries a sickle representing death.

He represents an upwelling of primal energy that seeks to sweep away the conceits of modern man, he is meant to remind us of the natural laws that we think we can break but which ultimately break our civilisation.

The Joker is a warning for man, a symbol of mans trangression from nature and an instrument uneashed as punishment for his crimes.

The Joker as created by Heath Ledger is himself an archetypal image, and though Heath is dead the power of his creation, and the mantic frenzy he represents, will empower that archetype.

The Joker stands at the border of the world of man and the world of the occult, he is a channel for primal forces, a daemonic and chthionic figure, and thanks to Heath Ledger he now walks the world in the minds of men.

He is the 'lightning that licks the earth' as Neitzsche described, and a portent of the darkness about to be unleashed.

Men think they control the symbols they create in their art and on the movie screens, when in reality those symbols control Man.

In an age of war, terrorism, resource conflicts, disease and violence the Joker is the symbol of mans nemesis unleashed upon himself by his own hubris.















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6 comments:

Stan Lee said...

Or is it just the Joker from Batman?

LorMarie said...

It was a bit on the longish side, but a great movie. Ledger of course was a phenomenal actor. There was something very "MacBethlike" about the sub theme...even someone who is good and noble can become evil if "if they get a push like gravity needs a push."

Mr Potter said...

Superb article.

Why is it that nationalists seem to ignore such insights as this and prefer to gloss over the deeper meanings and hidden forces that in essence control us/

Some dislike the author for various reasons. Others consider him mad and hence his writintgs are consigned to the bin as mere rantings. Yet others prefer to ignore the hard reality and instead commit themselves to discusisng the materialist factors at play or the various personalities and politics that are actually mere footnotes.

Maybe Barnes is himself a kind of Joker archetpye upsetting our materialist universe and thrwoing in thoughts that turn everything upside down?

Maybe his "madness" is a part of the role of the Joker, mad but in effect a Wise Man who only appears to be mad because he takes a different route to the materialist one?

But whatever the reason it is ESSENTIAL for nationalists to ponder such archetypal forces. to do otherwise is to act the role of the watchman of the Titanic and to see only the top of the iceberg, unaware and unknowing that the iceberg itself was far massive and far more damgerous to the dhip than he could possibly imagine.

Man's crassness and false superiority is endemic only because he has become separated from the Spirit of the world, and has erected a false barrier between the physical and the spiritual.

Consciousness pervades the enire universe and extends beyond the concepts and limitations of the physical. If man - and nationalists by definition - are ever to harness those forces of consciousness he must recognise them and understand them.

Then - ultimately - he will be able to use them for the benefit of humanity and for God.

Defender of Liberty said...

I put Ledgers performance up there with Jack Nicholson in The Shining.

The darkness took him though, which is the danger when method actors associate too closely with their roles.

Strider said...

The Wicker Man contains a scene where Christopher Lee's character wears a dress and carries a sickle. A great movie, for fans of folklore...

Mr Potter said...

It's interesting to note that several accidents and misfortune has occurred to those behind the film.

The latest occurrence was Morgan Freeman's automobile accident.

I would suggest that the archetypal forces unleashed by the film's story and the deeper unconscious forces that have been freed by the portral of the Odinist archetype may be responsible.

Already the film has been criticised for its violence and the fact that it has such a low censor rating is very worrying.

The nihilistic violence contained within the the film is mirroring Western society with its tribalistic and nihlistic violence and escapism. It is also programming our society as fiction and fact collide and feed off one another.

According to synchronicity and the interconnectivity of Mind and Matter the film has unleashed deep subconscious images and forces within our collective psyche.

The 50s film "The Forbidden Planet" first suggested this idea with its use of a planet where the original inhabitants - the Krill - has destroyed their own civilisation by creating and utilising a super-technology that was able to project the unconscious - the power of the Id.