Venus Figurine and Cro-Magnons

Note the comments at the end of the article below stating that this beautiful art is representative of a change in the cognitive abilities of Cro-Magnons in Europe.

This development is the increase of Mirror Neurones in the brains of Cro-Magnons and hence is still present in the modern European racial group.





http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article6282102.ece

May 14, 2009

Prehistoric female figure ‘earliest piece of erotic art uncovered’
(H.Jensen/AFP/Getty Images)

This mammoth ivory carving from 35,000 years ago may be the oldest know example of figurative art


A piece of Prehistoric pornography carved from mammoth ivory at least 35,000 years ago may be the oldest known example of figurative art.

The female figurine, which stands 6cm (2.4in) tall, has outsized breasts, huge buttocks, exaggerated genitals and open legs.

The Venus of Hohle Fels takes her name from the cave in southern Germany where she was unearthed last year.

Nicholas Conrad, of the University of Tübingen, told the journal Nature that there could be little question of the carver’s intent. “There can be no doubt that the depiction of oversized breasts, accentuated buttocks and genitalia results from the deliberate exaggeration of the sexual features of the figurine.”

Paul Mellars, of the University of Cambridge, wrote in a commentary for Nature: “The figure is explicitly — and blatantly — that of a woman, with an exaggeration of sexual characteristics, large, projecting breasts, a greatly enlarged and explicit vulva, and bloated belly and thighs, that by 21st-century standards could be seen as bordering on the pornographic.”

He added: “It is clear that the sexually symbolic dimension in European, and indeed worldwide, art has a long ancestry in the evolution of our species.”

While abstract designs carved into pieces of ochre are known from at least 75,000 years ago in Africa, Dr Conrad said: “This figurine was produced at least 35,000 calendar years ago, making it one of the oldest known examples of figurative art.”

The Venus has radically changed archaeologists’ views of the context and meaning of the earliest Palaeolithic, or Stone Age, art, he added.

The figure is at least 5,000 years older than similar figurines found in the same part of Germany. Dr Mellars said that the sexual imagery was consistent with other carvings made at a similar time, such as depictions of the vulva scratched on rocks in western France and phallic symbols made out of bone.

The figure is headless and a ring placed where the head would be suggets that it was worn as a pendant.The ivory has been discoloured a reddish brown over thousands of years.

Dr Mellars said that the discovery shed important new light on the art and belief systems of the Aurignacian period, during which Homo sapiens spread through Europe.

Aurignacian art generally features animals or figures that are half-human and half-animal. Representations of a duck-like bird, a horse’s head and a human body with the head of a lion were found in Hohle Fels cave in 2003 and dated to about 30,000 years ago. Dr Conrad said that the Venus challenged previous views that “strong aggressive animals or shamanistic depictions dominate the Aurignacian art of Swabia, or even of Europe as a whole”.

Dr Mellars said that the discovery added to the evidence that “fully representational, figurative art seems at present to be a European phenomenon, without any documented parallels in Africa or elsewhere earlier than about 30,000 years ago”.

This, he said, could potentially be linked to the evolution of the modern human brain.

“How far this ‘symbolic explosion’ associated with the origins and dispersal of our species reflects a major, mutation-driven reorganisation in the cognitive capacities of the human brain — perhaps associated with a similar leap forward in the complexity of language, remains a fascinating and contentious issue.”

Art and Culture.

There are very few works of art and science that can truly astonish one. This is one such a piece of art.

The tiny figure, found at a site near Baghdad, had been on loan from Alastair and Edith Martin to the Brooklyn Museum of Art for nearly 60 years. It is thought to be at least 5,000 years old.

It is a 3 1/4-inch limestone lion / female hybrid Goddess from ancient Mesopotamia fetched the highest price ever paid at an auction for a sculpture - $57 million.

The most beautiful of ancient art though are the Venus Figurines of Ancient Europe which were carved up to 31,000 years ago from the Aurignacian or Gravettian period of the upper Palaeolithic, found from Spain to Siberia. These items were carved from stone, bone or ivory, or molded in clay and fired. The latter are among the oldest ceramics known.





The Guennol Lioness figure seems to represent an ancient totem to be worn around the neck and intended to avert attacks from lions in the area, and at the same anthropomorphisises the savagery of the lionesses with a female half human / half lion Goddess.

It is the female lions that do most of the hunting and kliing in lion prides. The role of the male is primarily symbolic in lion prides and the male undertakes symbolic violence ( violence not associated with immediate survival needs eg food )as a mating fitness indicator, protector of territory from other males and sperm dispenser.

In order to avert violence from lions, then it is to a female lion diety that one should appeal. The female of the species is always more deadlier then the male. This is why the Guennol Lioness seems menacing and dangerous.

The Venus Figurines on the other hand are both erotic and beautiful. They symbolise fertility, wealth, pregnanacy, summer etc and have an innate eroticism.

The Venus Figurine appears as an invocation, whilst the Guennol Lion appears to be an excorcism.

The Venus Figurines are aspirational, the Lioness repellent.

The Venus suggests love, the Lioness fear.

Art is a comment on the both the culture and social form of a civilisation. The Lioness suggests a society that is hierarchical, militaristic, paternalistic and violent and that is afflicted by attacks by lions in the countryside - which could indicate a breakdown in society that weakened the ability of the state to keep down predator numbers, or that some sort of climate event was driving the lions to attack people.

It is a unique peice of art in a unique civilisation, at a unique piece of time at a specific location. The fact that farming was first recorded in the area where the Lioness was found in Mesopotamia, shows that with the creation of farming communities Man did not separate himself from nature - but that Man then had to defend himself AGAINST nature, rather than living in harmony with it as he once had.

By changing the natural harmony of the natural order, man invited attack from nature. The checks and balances inherent in nature that sustained natural harmony had been changed by Mans impact on the environment. Nature then attacked.

The Venus Figures suggest a communitarian socity, agrarian, matriarchal, diffusionist civilisation that lived in harmony with nature across much of Europe for tens of thousands of years. Rather than imposing himself and his society on nature, as the people of the Lioness did thereby invoiking the wrath of the Lioness Goddess as nature personified (climate change, environmental denudation, famine, war lion attacks, disease etc), the people of the Venus figurines still lived in harmony with nature.

By not seeking to overturn the natural order, and by living in harmony with nature and the land, then the nemesis of nature ( the Lioness Goddess) did not attack the people ( famine, disease, animal attacks etc ).

This is shown by the fact the Venus culture survived tens of thousands of years in Europe, whilst the Lioness culture did not survive more than a few hundred.

Each civilisation that undermines its own existence by not living in harmony with its own evironment, invites its own nemesis - and for some civilisations this nemesis has the face of a Lioness.